There is a possibility that there may be a question based around the Chapter Whistle and I’ll Come to You. (past years have looked at the preceding chapters in order, so maybe…..)
This is a précis of the key points of interest in this chapter. It is likely any question will be along the lines of how tension is created….
(all page numbers refer to the original books with small writing)
P123 – The chapter opens with pathetic fallacy as it describes a storm/heavy winds. “The house felt like a ship at sea” (simile) – Gives the reader a sense of imbalance, insecurity – prepares us for a rollercoaster ride ahead.
P123 – The description of the noises are also reminiscent of ghostly sounds: “Windows rattling …the sounds of moaning down all the chimneys”. On the following page, she compares the wind to a banshee which is a type of ghost said to signify impending death. This warns us that there may be trouble ahead…..
P123 – Hill briefly breaks this with Kipps remembering the safety and security of his own nursery, long ago, contrasts with how he heard “The wind rage round like a lion, howling at the doors and beating upon the windows but powerless to reach me.”
P124 – Tension is increased when Kipps forgets his torch, meaning he has to investigate the house in darkness. She plays with our imagination by describing the sense of someone having walked by Kipps, but shows his uncertainty by having him question this: “And the person who had gone by and who was now in the house with me?” Later on (p125) he admits that he was “beginning to doubt my own reality.”
P125 – Having set the reader up for the fear that Kipps is not alone, she then makes it even more tense when he drops the torch. The short sentences “No light came on. The torch had broken” are a dramatic end to this paragraph.
P125 – Kipps’ emotional state is also highlighted by the list of abstract nouns “despair and fear, frustration and tension”, followed by “violent rage”. The reader is invited to experience these emotions alongside him.
P125 – The dog, Spider, is yet again used to signify when the moment of tension has passed as she licks Kipps’ hand.
P126 – Kipps writes how “A man cannot remain indefinitely in a state of active terror” – this is precisely why Hill raises then drops the tension, for the reader cannot maintain this either. Therefore she allows this moment of fear to pass and reassures us that “all sense of another one’s presence had faded away.”
P127 – Kipps re-enters the nursery and is swept with feelings of “overwhelming grief and sadness, a sense of loss and bereavement, a distress mingled with utter despair” – This list of three pairs of negative emotions present a very different emotional response for the reader as they contrast with the sense of evil encountered so far and also add to the mystery surrounding the Woman in Black.
P129 – Having established a calm tone again, Hill then heightens tension again through Spider’s reactions. “scratching and whining at the door” so we expect ghostly activities again – only to be reassured she simply needed to be let out. Therefore we are not expecting trouble until the ghostly whistle comes: “not from any human lips”.
P130 – Tension is at its height here as Kipps struggles in the mud to rescue Spider. The use of many dynamic verbs here exaggerate the sense of action; Spider “yelped” and “struggled” and Kipps is “straining” against the “whirling sucking bog”.
P130 – the sense of isolation is again underlined – “alone in the middle of the wide marsh” – it is Kipps up against the power of the Woman in Black – Good v Evil.
P130-131 Hill’s use of adverbs “furiously” and “cautiously”, as well as more dynamic verbs, “lunged”, “grabbed”, “hauled”, “tugged” create a very frantic pace, whilst the adjectives “treacherous”, “agonizing” and “slippery” all add detail to the danger of the situation he is in.
P131 – Kipps triumphs and saves Spider but Hill’s use of a list of three shows us at what cost: “chest burning, lungs almost bursting, my arms feeling as if they had been dragged from their sockets”.
P131 – Just when we feel the tension starting to recede, Kipps looks up at the house and there he sees “A woman. That woman. She was looking directly towards me.” Short, sharp sentences reinforce the link between what happened to Kipps and her reappearance.
P132 – The chapter ends with the replaying of the terrible noise, which serves as a motif for the tragedy: “It was the sound of a pony and trap”. The pony and trap are a recurring motif, both as the replayed sound of the tragedy from years before, but also because the pony and trap are intricately linked to the woman in black. This means that when in the final chapter, Stella and the baby choose to ride it one, the reader recognises the significance and anticipate tragedy.
- Explain how Hill creates tension and fear in the chapter ‘Whistle and I’ll Come to You’
By Miss Marvell